Compelling Family Drama. This one was pretty wild. On the one hand, you’ve got one twin sister who seems to be Autistic, though that word is never once used. Instead, Hepworth simply claims various “sensory processing disorders” (many of them very similar to this Autistic’s own, fwiw) and shows this twin taking things very literally, not reading people very well, etc. IOW, classic signs of Autism – but again, that word is never once used in the text. Which is both cool and irritating. The other twin is a diabetic that feels she must always protect her Autistic sister. Except… let’s just say the twins don’t always remember the same events the same way. 😉 Deeper into the book, a much larger conspiracy develops that really turns the back half of the book to near breakneck speeds. And then those last words… Truly excellent book, even without the use of the one word, and very much recommended.
Literary Soap Opera. This is a tale of dual sets of sisters roughly three decades apart making uncannily similar boneheaded moves, told primarily from the perspectives of two of the sisters in one timeline and one from the previous timeline. It is a compelling mystery with all kinds of interweaving and looping drama that truly makes it feel like a soap opera, but in a very approachable and enjoyable way. Some reveals were telegraphed early, others not until the very moment – with some pretty solid misdirection thrown in at times. Overall great story and great execution, and a remarkable contrast in storytelling style from Marsh’s earlier October 2020 release, Second Chance Lane. Very much recommended.