#BlogTour: The Backtrack by Erin La Rosa

For this blog tour, we’re looking at an atypical tale in a lot of ways that still works quite well. For this blog tour, we’re looking at The Backtrack by Erin La Rosa.

First, the review I posted to the book sites (Hardcover.app / BookHype.com / BookBub.com / TheStoryGraph.com / Goodreads.com):

Atypical Tale In So Many Ways Yet Everything Works Well. I’m actually listening to the playlist that plays such heavy role in this book as I sit down to write this review, and while not *everything* is to my own tastes, either back in 2005 or 20 yrs later in 2024 as I write this, the songs are not *so far* out there as to not be enjoyable, particularly given the characters in this story and where they are from. (Says the fellow native Georgian who is less than a decade older than the characters here. :D) As an example, Fall Out Boy and The Offspring? Yes please. 🙂

But that actually does get into parts of what La Rosa does so well with this tale – the interesting spin she puts on the now-classic “flashback” sequences absolutely work, and work to allow effectively a romance version of a “Frequency” type story. Meaning, for those unfamiliar with that particular movie (to be clear, I never saw the TV show reboot), this storytelling device basically allows La Rosa to tell a dual timeline romance… where *both* timelines are the same couple *yet*… multiverse theory. (Which, to be clear, La Rosa never mentions.)

While we do get some dramatics in the third act, they actually serve more of a women’s fiction purpose that also helps to flesh out both our female lead and some of those around her a bit, and even with limited “screentime” in some instances, La Rosa manages to pack quite a bit in here in a short space. Indeed, given the book’s overall just-over-300-page length, it is actually rather remarkable just how much story La Rosa manages to pack in here, particularly given how other authors even within the romance space can spend seemingly 100 pages describing the landscape around the characters.

Ultimately this was a fun book that had a lot of nostalgia and several interesting spins on now-classic concepts and it used all of this well in service of the story it was trying to tell. In the end, using the elements you bring in well in service of the story you’re trying to tell is really all I ask of *any* book.

Very much recommended.

After the jump, an excerpt from the book followed by the “publisher details” – book info, description, author bio, social links, and buy links.
Continue reading “#BlogTour: The Backtrack by Erin La Rosa”

#BookReview: Husbands & Lovers by Beatriz Williams

Story Tries Hard But *Just* Misses + Story/ Cover Mismatch. This is one of those reviews where the review and rating may not seem to align, because for the vast majority of this book, I thought it was pretty damn good. It does a LOT – even more than similar Soraya M. Lane books usually do – and *for the most part*, it does those things quite well. We’ve got a romance tale in the 2000s era New England that alternates between 2022 (current) and 2008 (the halcyon summer where the couple first fell in love). We’ve got a historical fiction tale that alternates between the 1952 Great Cairo Fire/ Black Saturday period and early WWII period. Either one of those tales could be an entire book in and of itself, and yet we’ve also got a 23 And Me type DNA mystery that links the two (and which admittedly is a spoiler mentioning, sorry). I’ve read many entire books that would use any one of those three elements to tell an entire tale, and yet we get all three tales in one book here. And *for the most part*, it all works.

Where it fails, and the cause of the first star deduction, is that the climax of the Cairo tale is rushed and its fallout effectively buried in service of the New England romance and 23 And Me mystery. This book could have been *so much more* with maybe as little as 10 extra pages flushing out the Cairo tale in 1952 rather than the 2022 manner in which we get that information, and I think this is a close enough to objective opinion to merit a star deduction here.

The other star deduction is one I don’t encounter often, but *have* done a time or two before, and is warranted here for the same reasons I’ve used it before – the stories told here and the cover as it exists at publication (June 25, 2024) do not match. At all. The 1952 tale in Cairo -the era this cover screams to me – doesn’t really have even a pool scene at all, much less one involving a diving board. Even the 2000s era tales don’t actually involve any real pool activity, again particularly with a diving board. There are some ocean/ beach scenes that play key roles, but that isn’t what this cover evokes. Even in tone, this cover leads the reader to believe that this will be some 1950s era glam tale of some form… and it isn’t, not really. Yes, the Cairo tale is played as “exotic”… but that isn’t the tone I get from this cover.

So a lot of words, maybe too many words, to say that you really do need – as one 2* reviewer also noted – to read the description of the book to really know what you’re getting into here, and judging this book by its (admittedly great looking, in and of itself) cover may get you into a bit of a letdown situation with this particular book.

Overall, I actually really, really enjoyed this book. I thought it did a lot, and for the most part did well on damn near all of it. It simply lacked execution in a final detail and needed a cover that ties to the story more than the current one does.

Very much recommended.

This review of Husbands & Lovers by Beatriz Williams was originally written on June 28, 2024.