Hollywood Hope. This one is very different from Lindstrom’s debut, actually corrects some mistakes it made (somewhat), and even manages to land haymakers even Stephen King couldn’t land quite so well… while directly calling out King. Yes, Rita Hayworth and the Shawshank Redemption is called out a few times in this tale, and yes, the tale largely follows a similar path to a point… and yet Lindstrom really does take that framework and make it his own in a tale as old as Hollywood itself.
At its heart is a guy who went to Hollywood as a typical midwestern guy looking to make it as a star… who then encountered Hollywood as it actually is, up to an including a #MeToo level scene (that is brief yet present) before falling to its also far too real underbelly (or so I’ve been told – I’ve never been further west than Phoenix, AZ, and I can count on one hand the number of times I’ve so much as crossed the Mississippi River). This section is mostly told in flashbacks to his days before prison even as our main narrative starts as he is being released from prison, and in both sides we get an emotional, heartfelt look at both sides of that inflection point, one with a lot more heart than Lindstrom’s debut… yet also with a fair amount of action.
The action at hand is both of the Carolina Reaper level (if brief, but fairly explicit) on the one hand in the before-prison scenes (along with some perhaps more jalapeno level spice in the post-prison timeline) and of the Without Remorse sheer bloody brutality level in several scenes deep into the text.
It is within the Without Remorse type sections that we get into where Lindstrom made some improvements from Hollywood Hustle… and still shows areas he still needs to clean up. One scene in particular describes suppressed gunshots as Hollywood almost always does… which particularly in that exact situation is very nearly as far from the truth as possible. Yet later in the text, Lindstrom accurately has a character say the reality of what suppressors actually do… before showing them again being used in a more Hollywood fashion. But it is within that last part in particular that Lindstrom really shows his improvements with guns, as he specifically names – and accurately describes – a particular $1,300 ish exotic-ish shotgun and exactly how to actually use this exact model. That he then employs it with such mastery and beauty is just… chef’s kiss. Truly. Though those with low tolerances for gore are going to want to self sensor the movie running in your head in this bit! (But the Without Remorse references in this review should have warned you of that already. 😉 )
Overall this was a really solid mix of emotional depth and excellent action that really any reader will likely find at least something to enjoy about this book, particularly when you add in the free-roaming Los Angeles vibe where not many areas of the city are left unexplored in some manner.
Very much recommended.
This review of Hollywood Payback by Jon Lindstrom was originally written on April 20, 2026.
