Solid Use Of Multi-POV To Create Compelling Thriller. Ok, this is one the “intelligentsia” claim “you can see coming from a mile away with a blindfold on”. Eh, maybe. I didn’t, not until the actual reveal. But I don’t read mysteries or thrillers *trying* to do that. If anything, I’m looking for deeper connections to the current zeitgeist or to some legend or lore. (None of which is really present here, to be clear, other than this being yet another missing person based book.) What I found here was a solid use of multiple POVs and perspectives to create a thriller where everyone has secrets, everyone is lying… and yet one person’s lies are hiding an awful truth that will unravel the entire thing. And then there is the back quarter or so, where all the lies are revealed, and the tale instead turns into a race to save a life… or end another. This part was where Glass apparently lost some readers, who felt that the tale fell off the rails here. Again, I disagree. While a different approach through this section (yet still maintaining the multiple POVs), I felt it was at least as compelling as anything that had come before it, and indeed even the ending itself felt justified and at least understandable, if not completely realistic. Overall, this book admittedly isn’t likely to win any awards, yet as compelling or at minimum serviceable escapism for a few hours (clocking in at just under 300 pages), this is absolutely a book that will transport you away from the “real” world and into one with a bit of everything for everyone, including even doses of humor and romance. Very much recommended.