Excellent Case Study In Storytelling. Over the last month, I’ve read all three of the books Marsh is releasing (from three different publishers) over the course of six weeks from early October 2020 through mid November 2020 (when this, the last of the books in this “series”, releases). And each has been dramatically different from the last, which speaks to Marsh’s true skill as a storyteller. Second Chance Lane, the first of the series, was a Hallmarkie romance. My Sister’s Keeper, the second, was a weaving, winding, soap opera of a tale that my wife says would work well as a Lifetime Movie.
And here, with The Boy Toy, we get arguably the most cinematic of the three books, in the vein of a multicultural Knocked Up / Hundred Foot Journey. We get an older lead female. We get a look at various facets of Indian culture (that as my friend Ritu says in her own review, many of Western cultures won’t be as familiar with – more on that momentarily). We get a more-balanced-than-usual look at the struggles of infertility as it relates to those who actually want children. (Vs childfree people like me that *don’t* want children and thus infertility is actually a blessing of sorts.) We get an age-gap *ish* romance with the *female* being the older person in the couple.
And yes, we get sex. A lot of it. And all over the place, beginning as little as 10% into the book. If you’re looking for a “clean” / “sweet” romance… you’re not gonna want this one. 😉 Similarly, getting back to the cultural issues… Marsh does a good job of not hiding at least one Indian equivalent of what I call “Talibaptists” in the US. She does a great job of showing the pressure they can wield socially and the damage it can wreak, and she doesn’t shy away from this aspect at all – instead giving a solid example of how to overcome it. Every culture has these types, sadly, but Marsh shows them in depths not often explored, particularly in a romantic comedy, and again – shows her strength as a storyteller in doing so.
Ultimately though, this is a fun and funny romantic comedy that hits all the right notes, discusses some heavy topics, but leaves you satisfied in every way text on some surface can. Very much recommended.