#BookReview: Key To The City by Sara C. Bronin

Taylor Swift != “Modern Day Elvis Presley”! I came into this book wanting to read about the American Government on the Fourth of July. Honestly, as an avowed Anarchist and former Libertarian Party official at both the State and local levels + 2x rural small town City Council candidate… I probably should have known better. 😉

It isn’t that this book isn’t illuminating nor well documented – it actually is reasonably good at both, with a bibliography clocking in at 21% of the overall text. Seriously, if you’ve never considered the topic of land zoning as it is practiced in the United States and how it is used to control you, your neighbors, your town, even to a slightly lesser (direct) manner your State and even the entire Country… you need to read this book.

Bronin truly does a great job of examining the history of zoning as practiced in the US, including how it came to be and why and how it has been used over the century or so since it first came into being. (Indeed, according to Bronin, the Supreme Court cases that effectively legalized the practice are still not quite a century old at either the writing of this review in early July 2024 or when the book is scheduled to be released in early October 2024.)

My issue, and I think it is objective enough (if, perhaps, barely) is that Bronin approaches this topic as a Chair of a Zoning Board who wants Zoning Boards to be even *more* active in limiting what you can do with the property that you legally own and actively encourages strategies to accomplish a very progressive agenda, including “Climate change” and mass transit theories that barely work in the extremely densely populated “Boshwash” (Boston – Washington DC) corridor she rules the aforementioned Zoning Board in – theories that could never work in the *far* less densely populated areas of South Georgia or even Central South Carolina that I’ve lived in, much less west of the Missisippi River where population densities (until you get to the Pacific Coast) largely truly plummet. And yes, there are *reasons* I mentioned my political background up front in this review. 🙂

As but an example, I point to the title of this review – at one point in this text, Ms. Bronin does in fact claim that Taylor Swift is a “modern day Elvis Presley”. To be clear, if she had compared Ms. Swift to say the Beatles or the Rolling Stones or even Johnny Cash himself, that would have been a fair comparison and I would have had to find another example of where she is particularly outlandish without going into the actual details of the book (ie, spoilers). But as Ms. Swift never had to so much as register for the Draft – much less be selected by it and forced to serve in the US Military, this alone shows that Elvis was a different breed entirely. And to be clear, lest any Swifties attack this review just because of this paragraph, I’m not actually criticizing Ms. Swift. She is indeed a global phenomenon and is clearly quite talented in her own right. I am not saying otherwise or taking anything from her. I’m simply noting that for all she has done and all the fans she has, Elvis was *still* on another level from her.

Overall, read this book. Seriously. You’re going to learn a lot, no matter your own political leanings or how you feel about the sanctity of private property. But “if you feel as I feel” (to quote the always amazing V for Vendetta), know there will be many points you will want to defenestrate this book forthwith and from the highest available window. But unless you’ve had the experience of myself or Ms. Bronin or the admittedly *numerous* people like us who *have* actively dealt with zoning boards at some direct level before… you really are going to learn some things here. Clearly, even *I* learned a few things here myself, even *with* a few years of directly relevant experience.

Recommended.

This review of Key To The City by Sara C. Bronin was originally written on July 5, 2024.

#BookReview: Willie, Waylon, And The Boys by Brian Fairbanks

Well Researched Book Does Exactly What The Description Says It Does. You know how at times you read a book’s description and then you read the book and you want to know what the writer of the description was smoking when they wrote it and if you can have some of it, because the two were *nothing* alike? Yeah… this isn’t that book.

Here, you get *exactly* what the description (at least as of the writing of this review in the pre-dawn hours of May 12, 2024 along Florida’s Atlantic Coast) tells you you’re going to get: A well documented historical look at the lives of the Highwaymen – Waylon Jennings – where the narrative starts on the fateful night that he missed the plane on “The Day The Music Died” -, Willie Nelson, Johnny Cash, and Kris Kristofferson. We see each of their origins, we see how their careers progressed individually, and we see the fateful moment they all came together for a few legendary years. And in the end, we see how their lives and their music have impacted Country Music through the years, with a particular focus on 2010-current alt-country / Americana acts like Chris Stapleton, Jason Isbell, Shooter Jennings, Brandie Carlisle, and others. Again, exactly what the description says we’re going to get.

Overall the writing is well done – there’s a lot of facts and a lot of quotes, but it never really feels like dense academic oriented text or a philosophical treatise, while still not being quite “conversational”. Yes, the focus on certain acts and the clear derision of others in the end is perhaps quite divisive – even much of the “Bro Country” the author clearly despises cite many of the Highwaymen as direct influences, and yes, it can be heard in their sounds as well – but again, we knew from the description which modern acts this text was going to highlight. So take that as you will and make your choice to read or avoid this text knowing exactly that – you know up front exactly where this is going.

Very much recommended.

This review of Willie, Waylon, And The Boys by Brian Fairbanks was originally written on May 12, 2024.

#BookReview: Ira Hayes by Tom Holm

Johnny Cash Was (At Least Partly) Wrong! Admittedly, the title of this review is mostly click-bait. But it *is* an accurate summary of this text – and yes, the text does at least briefly examine the song itself as well. Holm does a remarkable job of showing the history that created Ira Hayes, one of the six men immortalized forever in “The Photograph” of the American flag raising at Mt. Suribachi on Iwo Jima during the WWII battle which became the basis of so many memorials… including a not-small one in Washington, DC. As with the better history books, Holm shows the relevant histories that lead into the famous events at hand- and the biography and histories of the fallout of the events, including the various impacts to both the man Ira Hayes and the cultural icon/ touchstone Ira Hayes. Yes, including the various movies, the various incarnations of The Ballad of Ira Hayes (including the Man in Black’s), and even discussing the book The Flags of Our Fathers and its movie incarnation as well. At 22% documentation, it is reasonably well documented, and there are no overly startling revelations here – though there is perhaps much new knowledge, depending on one’s own knowledge set when coming into this book. For example, the histories of the Akimel and Apache wars and interactions, and even how they waged war (both the weapons involved and the tactics and ceremonies) was new knowledge to me – and utterly fascinating.

Overall a well told and well examined history with no obvious flaws or even any overt political diatribes, this is a book that anyone interested in a more complete tale of Ira Hayes will enjoy. Very much recommended.

This review of Ira Hayes by Tom Holm was originally written on July 28, 2023.

#BookReview: Citizen Cash by Michael Stewart Foley

Detailed Examination Of Forgotten Elements Of A Legend. I grew up listening to Johnny Cash, Waylon Jennings, Willie Nelson, Merle Haggard, and others of that generation via Country Gold Saturday Night on the radio in the late 80s and early 90s. My family would pile in the pickup truck, parents in the cab, myself and my two younger brothers in the back, and we would ride the backroads in the boonies of northwest Georgia between Atlanta and Chatanooga, listening to the radio and feeling the wind buffet our bodies. Honestly some of my most fond memories of the carefree era of my childhood, and Johnny Cash played a role there – a role he never knew about. And while I’ve known of him since then as a country music legend, I had never considered his politics or messages.

This book changes that.

This book, with its chapters focusing on specific elements of Cash’s political beliefs and how they developed, is less biography and more analysis of how the given message came to be espoused by this particular man and why. It shows that at his heart, Johnny Cash was a man who empathized with the low and down trodden. How his own childhood on a Depression era sharecropper farm came to shape much of how he saw the world, and how even his service in the US Air Force in Germany during the Korean War era would come to shape his views of the Vietnam War a decade later. The text does not shy away from Cash’s well known (and well documented) struggles with drugs and alcohol, even showing where Cash himself was hypocritical on the issues at times – ordering his wife never to touch alcohol, even in some letters where it is quite clear he himself is drunk while writing them. At the same time, it doesn’t spend much time on these particular facets or even his wives, the controversy surrounding how he eventually got together with June Carter, his various kids, or any other aspect an actual biography would. Instead, this text uses biography more as background and scaffolding to show how Cash came to the political positions he did and how he came to espouse them.

Truly an interesting take on a genuine legend, and very much recommended.

This review of Citizen Cash by Michael Stewart Foley was originally written on October 28, 2021.