Tag: drama

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#BookReview: Lenny Marks Gets Away With Murder by Kerryn Mayne

Like Great Gatsby: SLOW Start, Explosive Ending, *NOT* Neurodivergent. I tell the story often of my experience with The Great Gatbsy. Back in sophomore year of HS, it was actually assigned as summer reading before the school year. I didn’t read it. Every time I tried to open it, the first chapters were just SO UTTERLY BORING that I literally couldn’t keep my eyes open. Managed to bullshit through the discussion of it during my International Baccalaureate level English class that fall. Switched to a school without an IB program in Spring Semester, where now I had one of those old school even then (late 90s) slap-the-knuckles-with-a-ruler type English teachers. This lady *forced* me to read the book via making it a point to call on me to read out loud during class. She knew I HATED it, I wasn’t subtle about my disdain at all, and I had a superiority complex at this new school to boot.

But god DAMN if she didn’t wind up getting me through those first boring chapters, where the tale then woke up and became truly one of the great American books, particularly of its period and truly quite possibly ever.

I tell that story here because it directly applies to this book. This book is S L O W at first and utterly, completely, mind bogglingly BORING. There simply is no way around that. Even at 20% in, I was commenting on social media (without naming that I was reading this book) that it was horrible.

And then…

And then you get to the point – roughly halfway in – where you find out WHY the front half was so utterly boring.

And like Gatsby, this point turns the novel on its head and makes it a truly great book. No, it still isn’t Gatbsy’s level, but this is where it is going to make you *feel*. It is going to make the room so dusty you’ll be verifying that the walls around you haven’t suddenly collapsed, because you’re going to be crying so hard during some of this next section that you’re going to be snotting all over the place and finding it very difficult to breathe. Mayne manages to utterly bore your mind before absolutely DESTROYING your heart worse than a direct hit from a G2 Research RIP round would.

This back half is truly what makes the book, so fight through the boredom of the front half – it really does get so very much better.

Oh, and the neurodivergent thing; A lot of reviewers (I’m somewhere right around the 1,000th review on at least one review site) have mentioned that this book features a neurodivergent protagonist. It does not. The words “neurodivergent”, “spectrum”, “Autism”, or even “Asberger’s” are nowhere in the text of this tale, and while the front part of the book in particular (and to a slightly lesser extent the back part as well) characterize our protagonist as *stereotypically* neurodivergent, just because someone acts according to a stereotype does not mean they actually *are* whatever the stereotype is supposed to be of. Indeed, we actually get an explanation in that back half of the book that is *not* any form of actual neurodivergence so much as … something else that is directly explained and explored (part of what makes the heart shatter so much), but which would be a spoiler to reveal here.

Overall truly a tale of two halves as far as the reader experience goes, but absolutely one you should read.

Very much recommended.

This review of Lenny Marks Gets Away With Murder by Kerryn Mayne was originally written on July 8, 2024.

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#BookReview: Ten Kids Two Lovebirds And A Singing Mermaid by Cathy Lamb

Hilarious And Heartwarming. This is one of those tales that is very adult, yet told primarily through the eyes of children. Thus, when certain things happen – always behind closed doors, in these cases – the actual manner of storytelling gets particularly creative, no matter what adult situation the “certain things” may be. And yet we get a complete tale of wonder and heartache and healing into something even better than before, told with a skill and care that shows true talent and empathy.

In a way, yes, this is reminiscent of The Brady Bunch in that two families each with several kids ultimately come together. But the actual manner this is done in and the actual story told to get us to that point, even from its earliest stages, is also dramatically different than that old show – and yet, this tale does take place in a somewhat idealized late 1970s California, one where cheating, abuse, the Vietnam War, and drug abuse happen, but one where the Vietnam protests, gas crises, and other larger issues largely have not.

Truly an excellent tale with a rare twist in storytelling mechanism, and for that alone this is easily worth reading.

Very much recommended.

This review of Ten Kids, Two Lovebirds, And A Singing Mermaid by Cathy Lamb was originally written on May 8, 2024.

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#BookReview: For Roger by Laura Drake

If You Only Read One 2023 Release, Make It This One. Wow. Phenomenal. I’m writing this review roughly 12 hrs after finishing the book, and I am still in awe of what Drake was able to do here. When I first encountered her books, Drake was writing cowboy romances. She’s extended into women’s fiction more recently and done a great job with it, and this one I would assume would mostly classify within that space as well.

But let me be clear: This book has a LOT going on, a lot that places Drake writing about very serious issues and very different spaces. We get medical discussions and specifically discussions around terminal illness, suicide, assisted suicide, and related issues. We get a legal courtroom thriller that dives deep into questions of justice vs mercy vs the letter of the law and even into what are laws and why do we have them. We get open discussions of how to make different spaces better and more responsive, and in these areas Drake shows several practical ideas that could genuinely work – even though this is a fictional tale. Throughout all of this. Drake proves herself capable of at minimum holding her own with even the masters of these spaces who only write explicitly within them, such as John Grisham’s legal thrillers.

And then there are the more traditional women’s fiction aspects, the relationships that make this book truly sing throughout all the heaviness of the above discussions. The loving wife who is barely older than her stepdaughter, despite being in absolute love with her husband. The stepdaughter who resents the stepmother being so very close to her own age. The brilliant husband who dearly loves his wife *and* daughter. The best friend who happens to be the Governor of Texas, with all the behind the scenes politicking that entails. The mother who loves her daughter no matter what. The misunderstood older sister. And yes, in a nod to Drake’s real life (as anyone who follows her socials will know), a mischievous and nearly scene-stealing cat named Boomer.

In telling such a moving story, Drake truly masters bringing in such difficult discussions that *need* to be held at every level and in every corner of this great land.

Issues of how to handle terminal illness within a marriage – how far is each willing to go? What is the loving thing to do? Do the local statutes matter when it comes to trying to make the right decision? What *is* the right decision?

Issues of criminal justice as it relates to terminal illness, echoing at a societal level the same types of questions every relationship needs to answer within itself.

Issues of what we expect from our penal system – can people be rehabilitated, or should they be exclusively punished? Is there a difference between someone committing suicide, their spouse helping them, their doctor helping them, another person outside of a legally protected relationship helping them? Does the situation itself matter, and if it does, what do we condemn and what do we excuse?

All of this and so much more, Drake crafts into a moving and poignant tale of one particular family struggling to navigate these very complicated and delicate issues.

Read this book. Think about how *you* would handle these things. Think about how *we* should handle these things…

Or not. Maybe you jus need to cry, or even bawl your eyes out. Maybe these issues aren’t theoretical for you – maybe they’re as real for you as they are for the characters in this book. Maybe you’re just trying to find answers yourself.

Read this book too. And may you find comfort within its words even in the midst of your own storm.

But read this book, regardless. Very much recommended.

This review of For Roger by Laura Drake was originally written on November 20, 2023.

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#BookReview: Forever Hold Your Peace by Liz Fenton and Lisa Steinke

New Spin On Wedding Wars. Fenton and Steinke manage to craft a new, much more dramatic yet still hilarious, spin on the Wedding Wars trope, this time by introducing quite a bit of explosive drama between three of the four parents involved. Yes, the drama itself takes up more of the pages than those who prefer a less dramatic romcom will probably like, but overall it works here to elevate the trope and provide a good bit of “meat” for those who are looking for something a bit sturdier than yet another vapid romcom whose details will be forgotten seconds after finishing it. Instead, this one will challenge you without putting *too* much pressure and will show you things you might not have otherwise considered – particularly if you’re one of the not-small population that can readily identify with much of the drama herein. And yet, ultimately this is more Lifetime meets Hallmark than anything *truly* dark and foreboding – it *is*, still, at its heart, a romantic comedy. Just one with a bit more bite than usual, which helps elevate it over so many of its genre siblings. Very much recommended.

This review of Forever Hold Your Peace by Liz Fenton and Lisa Steinke was originally written on December 23, 2022.

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#BookReview: The Boys From Biloxi by John Grisham

Needs More Showing And Less Telling. This is almost “Novel Writing 101” these days, but a classic and oft repeated bit of advice for new writers is that they should *show* the actions of their characters rather than *tell* the readers about it. Here, Grisham – a normally masterful storyteller and legend in the business – somehow manages to miss that, to the detriment of the overall tale here. The tale itself, a multi-generational saga tracing two families through 60 or so years of Coastal Mississippi history, is actually quite good. I was 15% into the tale before I even realized it, and not much had happened at that point. The back quarter to third or so could *really* have been quite legendary in its own right with more showing and less telling, but even in this format it was still a compelling tale. The ending is a bit abrupt and perhaps too open-ended for some readers, but other than the abruptness I thought it actually worked reasonably well. But getting there, across nearly 500 pages that other readers have compared to investigative nonfiction rather than an legal fictional thriller, can in fact be a bit of a slog. Still, other than the “show don’t tell” aspect, there really isn’t anything here to actually say “this is particularly bad” about. Thus, only the single star reduction. Still, this really is a great tale for those who can bear with it, and for that reason it is very much recommended.

This review of The Boys From Biloxi by John Grisham was originally written on October 17, 2022.

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#BlogTour: Here For The Drama by Kate Bromley

For this blog tour, we’re looking at a fun and witty romantic comedy with heart – where the author seemingly read my review of her last book and corrected the issue in this one. For this blog tour, we’re looking at Here For The Drama by Kate Bromley.

Here’s what I had to say on Goodreads:

The One Where The Author Seemingly Read My Review Of Her Last Book. I’ve now had the pleasure of working both of Bromley’s books as blog tours, and this book shows her progression as a writer and storyteller – she is able to make a book that is just as fun and witty as her debut, but add in some serious angst and drama to boot, and in turn morph this romantic comedy into a blend of romantic comedy and women’s fiction. But the most interesting facet of this book, for this reader looking back at his review of her last one, is my commentary on an unnecessary feature in that first book’s epilogue… which gets mirrored (to a degree) in this book’s epilogue. It seems that at minimum, Bromley was aware that this issue existed, and actively chose to go a different (and refreshing) route in the epilogue here. Oh, and this is one of those romantic comedies where the dog dang near steals every scene he is in, if not the entire dang show. Truly a fun and witty tale with heart, and very much recommended.

Below the jump, an excerpt followed by the “publisher details” – description, author bio, and social media and buy links.
Continue reading “#BlogTour: Here For The Drama by Kate Bromley”

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#BookReview: It All Comes Down To This by Therese Anne Fowler

Nothing Technically Wrong, Yet SLOW. This is one of those books where there is nothing technically blatantly *wrong* about the storytelling… and yet the reader is left with the sense that this story could have been so much more engaging had it been told differently. To the level that while this book is around the 350 page mark, it almost reads as though it is a dense academic tome of twice its length – even though it very clearly is *not*. As other reviewers have noted, there are a LOT of characters to keep up with early, but that does in fact get easier probably by even the 25 – 33% mark, once we’ve visited each a couple of times and get a sense of where their individual arcs are. In the end, this is a solid slice of life family drama that touches on very real and very messy issues, but could have been better told in this format with several dozen fewer pages (to speed the pacing) or with this number of pages in a different format. Still, as noted, there is nothing technically wrong here and other readers may have a better time with this book. Recommended.

This review of It All Comes Down To This by Therese Anne Fowler was originally written on June 20, 2022.

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#BookReview: Such Big Dreams by Reema Patel

Big Lift That Mostly Hits. This is going to be a very different book for most American/ Western readers, as it is essentially an “Annie” tale from a century ago or so in the US, but in modern India. As an American currently charged with “leading” a pair of teams of Indian developers, this was particularly eye opening to me to see just what still can happen over there. (And admittedly, there are quite a few parallels re: Eminent Domain in the US right this second.)

Between Rakhi’s struggles as an orphan essentially growing up on the streets before being abandoned in an orphanage to the slums she lives in to the (Indian) “White Knight” that “saves” her – yet expects slavish devotion because of it, Rakhi’s tale has quite a bit in and of itself. Then the back third really gets into a discussion-without-saying-the-words of urban redevelopment and the havoc it can wreak on those “least” able to handle havoc. And of course “least” has to be in quotes in the prior sentence because the tale through this section actually does a great job of showing just how resilient those people are – and how fragile those that think themselves resilient can be.

Overall a strong book that could have used a touch better editing – the flashbacks to Rakhi’s childhood and back to the current timeline were a bit jarring – but that certainly has more depth than is readily apparent to a casual reader. Very much recommended.

This review of Such Big Dreams by Reema Patel was originally written on May 8, 2022.

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Featured Release Of The Week: Everything Must Go by Camille Pagan

For this week’s Featured New Release, we’re looking at a solid examination of childlessness, divorce, and Alzheimer’s as experienced in the life of a woman in her thirties. This week, we’re looking at Everything Must Go by Camille Pagan.

Solid Examination Of Childlessness And Alzheimer’s. This book continues Pagan’s trend of writing books about real-world issues women in their 30s ish encounter and doing so in a thoughtful and poignant manner that allows people to more fully explore their own thoughts and feelings on the matters at hand even while telling its own unique story. In this particular book, Pagan brings out two issues that I’ve seen up close and personal in my own (late 30s male) life – childlessness and Alzheimer’s. While there are some (such as my wife and I) who start out childless (no kids, want them) and later become childfree (no kids, don’t want any) and there is considerable debate within the childless and childfree communities (yes, they are distinct), this tale accurately explores a woman realizing that becoming a mother is truly important to her and what she must do to ensure that. Its explorations of Alzheimer’s and the familial relationships it both strains and enhances also ring true to what I observed from my own mother – then in her late 30s/ early 40s – when she, along with her over half a dozen siblings, dealt with her own father developing the disease. I’ve even known friends and family to divorce as seemingly seamless as happens here, particularly before kids are involved. So ultimately, I see the plausibility in virtually everything Pagan did here, and the story thus became, for me, likely more of the thoughtful examination she meant for it to be rather than getting hung up on “I don’t think [this thing or that thing] is realistic enough” as so many of the other reviewers (on Goodreads as of December 29, nearly 4 months before publication) have done. While not quite as powerful or funny as Pagan’s previous books (which you should absolutely read as well), this one still does its thing quite well indeed, and is thus very much recommended.

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#BlogTour: A Family Affair by Robyn Carr

For this blog tour, we’re looking at an otherwise strong family drama marred by COVID references and bigotry. For this blog tour, we’re looking at A Family Affair by Robyn Carr.

Bigotry And COVID Mar Otherwise Strong Family Drama. On its whole, this is a mostly solid family drama about a mom and two of her three children dealing with a tragedy and trying to move on with their lives in the wake of it.

However, it does have significant problems, problems I’ve yet to see any of the other 44 Goodreads reviews in existence at the time of this writing address.

The first is the near-constant references to the insanities of 2020-2022, mostly as a way to ground the story in a sense of time and place. But here’s the thing: I DO NOT WANT TO READ ABOUT COVID. PERIOD. And thus a star was deducted for this. Maybe you, the reader of my review, are less adamant about this or maybe you even appreciate such references. Good for you, you’ll enjoy those parts of this text. But for those who feel as I do on the matter, know that it happens here.

The second major issue is the portrayal and handling of the Autistic third child. To say that this is a highly bigoted view along the lines constantly spewed by the Autistic hate group Autism Speaks is still being a bit too polite, to this Autistic’s mind. This character is every tired and worn out Autistic stereotype rolled into one, and while the family claims to love her, they also drug her into oblivion so that Carr can write her out of the back half of the book. Indeed, if an author treated pretty well any demographic other than the neurodiverse/ Autistics like this in a book, that author would likely go viral for social media cancelling them – and yet something tells me most will be silent about or even praise Carr’s reprehensible treatment of this character. That it publishes just days after World Autism Acceptance Day and during World Autism Acceptance Month is a slap in the face to Autistics from the publisher, but perhaps they were not aware of just how offensive this characterization truly is and were not aware of April being so designated.

The third issue, a throwaway line that further reveals Carr’s political leanings, is a reference to a school shooting where the shooter got “automatic weapons” from his dad’s garage. In California. In the 2000s. BULLCRAP! For one, while *some* automatic weapons *are* legal, the manner in which they are legal is INCREDIBLY expensive to obtain and subjects one to an entire alphabet soup of agencies – both Federal and State, particularly in California – knowing exactly where and how you store such weapons. Further, in the *extremely* rare case of Columbine/ Parkland style attacks as is described in this part of the text, such truly automatic weapons are virtually *never* used. But someone who only follows certain paranoid propagandists on this matter would have no clue about these facts, and Carr reveals herself to be just such a person in this instance. However, this did *not* result in a third star deduction as this was more of a one-off throwaway backstory line and not a pervasive element within the book as the first two issues were.

Ultimately, this is one of those books where your mileage may vary quite a bit. If you don’t mind references to COVID in your fiction and if you agree with Carr’s views on Autism and guns, you likely will enjoy this book quite a bit. And to be clear, other than these issues – which were *not* on every page – the story itself really is quite good. But if you feel as I do on these issues… still read the book. It really is that well written, mostly. Just know there is going to be some infuriating moments. Recommended.

After the jump, an excerpt from the book followed by the “publisher details” – book description, author bio, and social and buy links.
Continue reading “#BlogTour: A Family Affair by Robyn Carr”